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Vertical alignment of central cross bracing in steel tube table frame

Decision of the OLG Frankfurt on the Modification of the Crossbrace of a Steel Tube Table Frame

Published on October 13, 2025

The Higher Regional Court (OLG) of Frankfurt am Main dealt in its judgment of November 3, 2022 (Case No.: 11 U 139/21, published on December 5, 2022) with a copyright dispute in applied design. The issue was a dispute over whether the structural modification of a prominent crossbrace on a steel tube table frame infringed on the creator’s rights to the work.

Facts and Subject of the Dispute

The focus of the dispute was the design rights to a table base originally constructed with a centrally slanted crossbrace made of steel tube. A licensee had significantly altered the crossbrace in its product offering, arranging it vertically instead of the characteristic central slant. The rights holder considered this modification an impermissible distortion of the protected design and filed a lawsuit for injunctive relief and damages.

Core Issues of the Proceedings

The hearing addressed key questions of copyright law, particularly with regard to § 14 UrhG, which protects the author against distortive changes to his work. The examination was whether the implemented vertical alignment significantly impaired the creative character of the original design and thus represented an infringement of the artistic statement.

Criteria for Assessing Distortion

The court first examined the extent of protection derived from the applicable copyright law for the table design in question. In works of applied art, it is crucial whether the overall effect of the work and its design imprint are impaired by the change. Particularly relevant are changes that substantially alter the aesthetic overall impression and thereby violate the intellectual and personal interests of the author.

Distinction between Permissible Adaptation and Impermissible Distortion

The judges concluded that the deviation from the centrally slanted to the vertical arrangement of the crossbrace does not constitute a “distortion” within the meaning of § 14 UrhG. The fundamental design idea of using a clear cross motif as a supporting element was retained despite the new orientation. The considered change therefore modified an aspect of the external design but did not encroach on the fundamental creative statement of the table frame. The extent of protection was not affected in a manner equivalent to significant aesthetic or conceptual impairment.

Relevance of the Judgment for Practice

The judgment underscores the differentiation between mere stylistic variations and substantial interventions in copyright-protected works of applied art. Especially for companies and designers in product development, the decision clarifies that alterations to individual design elements do not necessarily constitute a violation of copyright positions. What matters is whether the defining factors of the design are preserved or compromised in their specific artistic expression.

The practical significance of the decision lies in clarifying that not every modification enjoys copyright protection or constitutes an infringement. Determining whether distortion exists always requires a nuanced consideration of the original work as well as the specific change. Particularly in the realm of changing trends and adaptations of product design ideas, the judgment provides guidance on the permissible scope of revising existing design concepts.

It should be noted that the boundaries of copyright protection always require case-by-case assessment. The present decision pertains to the specific case of a crossbrace and cannot be readily applied to other types or forms of design. Rights holders should therefore always consider the specific scope of protection and the nature of the respective work when evaluating changes to their works.

Conclusion

The decision of the OLG Frankfurt makes it clear that mere changes to structural elements of a design-protected piece of furniture do not necessarily lead to an impermissible distortion under § 14 UrhG. It highlights the importance of careful case-by-case analysis and the necessary balance between creative protection and the interest in design development.

If companies, designers, investors, or rights holders have specific questions about copyright issues related to the revision, adaptation, or utilization of designed products, there is an opportunity to learn about the multifaceted copyright fundamentals and seek advice. The attorneys at MTR Legal have extensive experience in advising on and evaluating such issues in national and international contexts.

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